Review: 5 Stars for Pride and Prejudice (*Sort Of)

I was fortunate to see this production when it was touring the UK in 2019, and I felt then that this gem of a show could go far. But when Covid struck, I was worried for its future. 

Cut to October 2021, and I was so thrilled to hear the news that ‘Pride and Prejudice (*sort of)’ had made it all the way to the West End. And deservedly so. It is the best stage production of an Austen I have seen. 

I was invited to attend the opening night and immediately accepted, knowing it would be a thoroughly enjoyable evening, not to be missed. And I was right. 

(Disclaimer: I was invited to review this production and give my honest and unbiased opinion.)

When I saw this wonderful production for the first time, I did not know what to expect. I've now seen it three times, yet I am still struggling to do it justice through my review.   

From the official website: 

“Pride and Prejudice* (*sort of) is a unique and audacious retelling of Jane Austen’s most iconic love story. Men, money and microphones will be fought over in this irreverent but affectionate all-female adaptation, where the stakes couldn’t be higher when it comes to romance. It’s the 1800s. It’s party time. Let the ruthless matchmaking begin."

Witty, clever and upbeat - with a superb musical twist that will have you wanting to sing-along! - this show has something for everyone.  Although I would describe it as a 21st century interpretation of Pride and Prejudice, it is the characters’ words and interactions that have been modernised, not the storyline, nor the historical context and customs.  Perhaps this is what makes the production so appealing.  Interpretations that try to bring Austen completely into the modern day just don’t work, in my opinion. What makes Austen's work still so popular and relatable today is the joy and humour of her novels; the recognisable personalities, the wit and satire, and the authenticity of the challenges faced by her characters. I feel this production has found the perfect balance of an early 19th century background for a 21st century audience, and it showcases the accuracy and relevance of Austen’s stories and characters. I believe this production could introduce Jane Austen to a whole new audience, one that has yet to discover the humour of her novels. 

I acknowledge that this show could divide some Janeites.  It offers an unusual take on the story and contains some forward, often blunt updates to the dialogue, including some bad language.  However, I try to keep an open mind, which pays off when introduced to a unique interpretation such as this.  I would like to encourage my fellow Janeites to give this production a go, even if you are somewhat sceptical: I think you may be surprised at just how much you enjoy yourself!  Certainly, that was my experience. I will be returning before long, and taking along a few of my Austen friends! 

This was the first time I had seen an Austen adaptation with an all-female cast, but it works, and indeed it felt rather appropriate, when you remember how forward-thinking Jane Austen was with regard to women's rights: an early feminist, if you will.

The servants play a significant part in this production: they are telling the story.  This serves as a reminder of the importance of these silent characters in the background. Who will clean Lizzy's muddy hem? Or deliver all the important letters as the story unfolds? We don’t often pay them much attention; but they are there, and vital to the story – as we see throughout this play!

It is evident this company has a great respect and love for Austen.  The writer, Isobel McArthur, has been extremely clever in her use of Austen’s words and witty exchanges and although she has given them a modern makeover, never did I feel it was poking fun at the original. All the favourite conversations and iconic scenes are there, and the play is suitably focused on the first half of the story, leading up to Darcy’s proposal.

I must congratulate each and every member of the cast. They are all wonderfully talented and successfully bring to life the array of characters they each portray. 

 I particularly loved the Bingleys, Charles and Caroline, both played by Hannah Jarrett-Scott. They are such brilliant comic characters and frequently steal the show. In contrast, Hannah gives an emotional performance as Charlotte Lucas, with an added twist to her character, performed with care and respect. 

Another favourite has to be Mary. Throughout the play her character is either told to be quiet or is ignored, just as she is in the book: comical yet heartbreaking at the same time. Tori Burgess also portrays Lydia, and the brilliant contrast between the two is staggering.

Lady Catherine De Bourgh was also a very memorable performance; her haughty presence fills the stage. Again, this is a superbly different characterisation to Christina Gordon’s other main role, the sweet spoken Jane Bennet.

Perhaps the most amazing character portrayals, and hard for me to believe!, were Mrs Bennet and Mr Darcy: Mrs Bennet, scatty and melodramatic, Mr Darcy, the complete opposite! Isobel McArthur is not only a great playwright, but also an accomplished and convincing actress.

 

Last but not least, I must mention a wonderful Lizzy Bennet, played by Meghan Tyler. Lizzy is a character so close to my heart that I am often nervous to see how people will interpret her, but on this occasion I was not disappointed, as her combination of wit, spark, and ‘obstinate headstrong girl’ independence was perfectly captured.  Bravo! 

I felt the division of parts worked well, and the majority of characters were included too, and even those who never appeared physically on stage still featured in the story. Mr Bennet, in particular, is handled in an unconventional way, but it works surprisingly well! 

I would like to compliment the cast on their musical skills - on a wide variety of instruments, from trumpet to accordion, not forgetting the harp - a real treat.

The costumes made each character readily distinguishable - but how they manage the numerous quick changes, I have no clue! 

I liked the production’s staging when it was touring.  However, I have to say I was particularly excited to see the changes in this West End production: the beautiful sweeping staircase of books is a stunning centre piece!  

I have already mentioned how uplifting a performance this is, and how the music will make you want to clap along. This is such an inclusive play. At various times the audience is addressed directly, which makes you feel part of the show, not just a spectator.  I always enjoy this feature of theatre - in contrast to a cinematic adaptation! 

Overall, I feel this is a fascinating way of bringing Pride and Prejudice to a modern audience and of showing that Austen is still relatable and relevant.  Laughs echoed throughout the theatre and unending applause followed the finale. You will leave feeling uplifted, joyful after so much laughter, with some toe-tapping tunes echoing in your head!  

Clever and witty, but most importantly when it comes to Jane Austen, funny!  You are unlikely to regret an evening out at this production. I can’t wait to go back to enjoy my 4th performance.  I wish them all some well-deserved recognition and continued success. 

I was accompanied by my Janeite friend Abigail Rose, who wishes to add her thoughts: 

‘Pride and Prejudice (*Sort of)’ is every Austen fan’s dream modernisation of the story, while still keeping Austen’s wit and representation of Regency society at the heart of it.  The writer has thrown out the more sedate dialogue for fast-paced and fiery words, such as you would be likely to overhear down at the pub!

The show is utterly hilarious from the start, when the servants of our favourite Austen families are given the spotlight to re-tell the love story of Elizabeth Bennet and Mr. Darcy…because without the servants, none of it would have happened, right?

The characters burst into song with their Karaoke machine, which makes you want to get out of your seat and clap along!  Mrs Bennet can be found eating a box of Quality Street at Christmas, whilst Lydia is sneaking off with a bottle of WKD at the Netherfield Ball.

I especially loved the way that characters such as Charlotte Lucas and Mary Bennet were given voices that made you feel for their challenging situations in life.  I was willing Elizabeth to run off with Charlotte and live happily ever after at one point, and for someone to just give Mary the microphone and let her sing!

You can tell that the writer and actresses are true fans of Pride and Prejudice! Their fun and enjoyment whilst performing is infectious and makes the whole experience a true delight to watch.  This version is a breath of fresh air and an instant all-time favourite!  I need to see it again, and I recommend you do too!

Need we say more? Go and book your tickets now!